Ghanaian Artist Ibrahim Mahama Transforms London's Barbican Centre with 'Purple Hibiscus' Installation

Ghanaian artist Ibrahim Mahama has unveiled a stunning new installation at London's Barbican Centre, covering the building's exterior with 2,000 square metres of hand-stitched, striped cotton adorned with 130 traditional Ghanaian smocks called batakari. The project, titled 'Purple Hibiscus', is a testament to the power of collective labour and the memories that textiles can hold.

The installation, which took three months to complete and involved a team of 1,000 people, pays homage to London's rich history of textiles while also showcasing Ghana's own long tradition in this craft. The batakari on display contain the memories and stories of those who have worn them, with some bearing stains of sweat and urine that are believed to hold a family's past, present, and future.

Mahama's focus is more on the process and experience of creating art rather than the final product itself. The billowing forms of the batakari create a unique visual effect when the wind blows, adding to the installation's dynamic nature. "The project, which took three months and involved a team of 1,000 people, is a nod to London's rich history of textiles and the power of collective labour," Mahama explained.

The installation also highlights the relationship between the Barbican's post-World War Two brutalist architecture and the traditions and histories of pre-colonial Ghana. "The batakari, which are tunics made from hand-woven cotton, contain the memories and stories of the people who have worn them," Mahama noted.

'Purple Hibiscus' is part of the 'Unravel: The Power and Politics of Textiles in Art' exhibition at the Barbican Centre, which runs until May 26. The exhibition examines the role of textiles in art and society, showcasing works by artists from around the world who use textiles as a medium for expression and commentary.

Why this matters: Mahama's installation not only showcases the beauty and cultural significance of traditional Ghanaian textiles but also highlights the importance of collective labour and the stories that everyday objects can hold. It serves as a powerful reminder of the interconnectedness of cultures and the role that art can play in bridging divides and fostering understanding.

Mahama's 'Purple Hibiscus' installation is a stunning example of how art can transform spaces and engage audiences in new ways. By covering the Barbican Centre with hand-stitched, striped cotton and traditional Ghanaian smocks, Mahama has created a visually striking work that invites viewers to consider the stories and histories woven into the fabric of our lives. The installation is a celebration of the power of collective labour and a testament to the enduring significance of textiles in art and society.

Key Takeaways

• Ghanaian artist Ibrahim Mahama unveils installation at Barbican Centre, London.
• Installation covers building with 2,000 sq m of hand-stitched cotton and 130 Ghanaian smocks.
• Project celebrates collective labor and memories held in traditional textiles.
• Installation bridges Barbican's brutalist architecture and pre-colonial Ghanaian traditions.
• Exhibition examines role of textiles in art and society, showcasing global artists' works.