Philippine Pavilion Showcases Mark Salvatus' Multidisciplinary Exhibition at 60th Venice Art Biennale

The Philippine Pavilion at the 60th Venice Art Biennale showcases artist Mark Salvatus' multidisciplinary exhibition exploring the ethno-ecology and mysticism of Mt. Banahaw, offering a unique perspective on the interplay between nature, spirituality, and art.

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Aqsa Younas Rana
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Philippine Pavilion Showcases Mark Salvatus' Multidisciplinary Exhibition at 60th Venice Art Biennale

Philippine Pavilion Showcases Mark Salvatus' Multidisciplinary Exhibition at 60th Venice Art Biennale

The Philippine Pavilion at the 60th Venice Art Biennale in Italy unveils a fascinating multidisciplinary exhibition by artist Mark Salvatus, titled "Waiting Just Behind the Curtain of this Age." The exhibition, which opened to the public on April 20, 2024, examines the ethno-ecology of Mt. Banahaw and Lucban through a single-channel video and fiberglass rock sculptures.

Curated by Carlos Quijon Jr., the exhibition investigates the intricate relationship between mysticism and modernity, tradition, faith, and resilience. Salvatus, who grew up at the foot of Mt. Banahaw, aims to link the mountain's influence on the many artists from the region, including local musicians and filmmakers.

The exhibition's title is inspired by a phrase from Hermano Pule, a Filipino religious leader who revolted against the Spanish clergy during their occupation of the Philippines. The video features sound elements recorded with the assistance of a marching band to convey the message of "journey" and the process of self-discovery. The installation also includes boulders that emit music, forest sounds, and human sounds.

Why this matters: The Philippine Pavilion's exhibition at the 60th Venice Art Biennale showcases the rich cultural heritage and artistic expression of the Philippines on a global stage. It highlights the significance of Mt. Banahaw in shaping Filipino consciousness and the cultural landscape, offering a unique perspective on the interplay between nature, spirituality, and art.

The pavilion is a joint project of the National Commission for Culture and the Arts (NCCA), the Department of Foreign Affairs (DFA), and the Office of Senate President Pro Tempore Loren Legarda, who led the vernissage and emphasized the exhibition's celebration of Mount Banahaw's enduring spirit and the boundless creativity of the Filipino people.

Salvatus' work at the Biennale allows him to reconnect with his hometown and the spirit of Mount Banahaw, which he sees as a place to which he can always return. "The exhibition offers a glimpse into the multifaceted soul of Mt. Banahaw and its surrounding region, encouraging visitors to explore the intricate relationship between nature, spirituality, and art," said Senate President Pro Tempore Loren Legarda during the vernissage.

The Philippine Pavilion at the 60th Venice Art Biennale in Italy will remain open to the public until November 24, 2024, at the Artiglierie, Arsenale, in Venice, Italy. Visitors will have the opportunity to immerse themselves in the evocative artworks and experience the enduring legacy of the mystical Mt. Banahaw through Mark Salvatus' multidisciplinary exhibition.

Key Takeaways

  • Philippine Pavilion at 60th Venice Biennale features artist Mark Salvatus.
  • Exhibition examines ethno-ecology of Mt. Banahaw and Lucban through video, sculptures.
  • Curated by Carlos Quijon Jr., exhibition explores mysticism, modernity, tradition, faith.
  • Pavilion is a joint project of NCCA, DFA, and Office of Senate President Loren Legarda.
  • Exhibition open to public until Nov 24, 2024 at Artiglierie, Arsenale, Venice.